Study 030 - Morning gradients
Soft light from the east window blends three blues into peach before breakfast.
- Sky Milk#77c1d7
- Fog Ribbon#92b6d9
- Tea Steam#f5ccb9
Colors, Change & Creative Experiments
A small personal project exploring how color, mood, and light transform perception.
Chameleoon is a quiet corner of the web - a place to collect color shifts, gentle gradients, and the way ordinary materials change under new light.
Every experiment is deliberately small. I keep the tools simple so the attention can stay on the colors themselves and the way they move.
Across these pages are notes from windows, sidewalks, travel, and home. The archive grows in slow layers, but it keeps me awake to the way the world changes tone.
I rebuild this page now and then; it never quite settles, and that feels right.
Handmade gradients and palette notes gathered from windowsills, street corners, and sketchbooks. Each card keeps a memory of how the light felt.
Soft light from the east window blends three blues into peach before breakfast.
Peeling paint in the stairwell reveals cool ocean teal under warm plaster.
Paper scraps curled into tubes scatter candy colors across the desk.
Evening reflections blur through glass jars, cooling the orange room.
An alley mural faded by weather leaves gentle stripes of coral and violet.
Stacked textiles in the studio cabinet make their own quiet spectrum.
Sun filtered through colored glass bottles washes the note cards in soft gradients.
Inspired by the namesake creature; greens lean toward copper where light hits scales.
Watercolor wash recorded after midnight walks through the market, mixing navy with neon heat.
Pressed old metro tickets into wet paper to lift their faded inks into a new trio.
Collected from puddles clinging to a bright rain shell; greens slip into gold.
Layered rubbings of torn street posters softened under tracing paper.
Sketched color blocks from a corner cafe floor before the first orders arrived.
Used afternoon sun to trace the bright oranges and yellows stacked under a canvas awning.
Adjusted the studio lamp gels and captured the resulting gradient on handmade paper.
Travel palette swatched on-site beside a quiet river bend using the pocket kit.
Sketched hanging lanterns as rain beaded across the glass; the washes bled into a soft triad.
Captured the muted boardwalk at dawn by lifting pigment with salt over wet paper.
Layered graphite and pastel impressions of sun-faded book spines inside the quiet library.
Mixed the colors seen through a carriage window on an early train, when the sky was still half night.
Catalogued pocketed sea glass on kraft paper; every shard lent a softened coastal hue.
Pressed autumn leaves between tracing paper and recorded the remaining pigments before they faded.
Collected scraps from festival flyers and stitched them into a gradient collage overnight.
Blended charcoal dust with leftover latex paint to catch the studio's muted winter palette.
Long exposure photographs of city signage, translated into overlapping blue and amber washes.
Hung slices of citrus in the studio window and painted the translucent colors as they dried.
Documented the gradient just before snowfall, when the clouds blushed against frozen dusk.
Mapped the shifting light from clay tiles during golden hour using dry-brush strokes.
Tracked how puddles on patio stones shifted from deep green to bright moss after a storm.
Laid tracing paper over architectural blueprints outside at dusk to capture the cooling spectrum.

About the Project
I started Chameleoon in 2012 as a way to pay attention to color in everyday life. The project has lived on sketchbooks, in cameras, on scraps of paper, and now here.
Like a chameleon, each study adapts to its surroundings - shifting with light, seasons, and the materials I have nearby. Sometimes they are photos, sometimes textures, sometimes quick palette notes.
The aim is to stay awake to quiet shifts - the ones most people walk past.
The pace is calm on purpose. Chameleoon is a practice in observation rather than production, a reminder that looking closely is enough.
Founded as a personal project in 2012. Updated occasionally.
Short entries from the color notebook.
Study 030 caught the breakfast window gradient—three blues easing into peach before the kettle whistled.
Study 027 still hums in the notebook: evening glass jars cooling the orange room into layered reflections.
Study 024 bottled the winter wash, colored glass turning note cards into patient gradients.
Study 021 lifted metro-ticket inks before they flaked away—validator reds and platform rust archived together.
Study 018 mapped the cafe floor at opening time—mint grout, pastry crumbs, and first light on ceramic.
Study 015 proved the pocket kit still works; river moss swatches dried true beside the log entry.
Study 012 traced sun-softened book spines; dust jackets and paper sepia stacked into quiet stripes.
Study 009 pressed autumn leaves between pages—color ghosts still taped inside the ledger.
Study 006 turned long exposures of city signage into midnight blue and amber arcs; the city never really sleeps.
Study 004 logged the sky before snowfall; that frosted blue still nudges newer mixes.
Study 002 tracked garden puddles after the storm—moss rebound remains the benchmark for fresh greens.
Study 001 set the promise: blueprint sheets at dusk, tracing paper, and one shade documented each day.
This is a personal, non-commercial project. If you'd like to share your own color discovery or just say hello, write to:
palettekeeper at chameleoon dot com
Tap the button above to copy.